

MELANCHOLY
Embodiments in Architecture
Renaissance painter Albrecht Dürer’s engravings of "Melancholy," "Knight Death and the Devil," and "St. Jerome in his Study," act as symbolic representations of the intellectual, moral, and spiritual, respectively. In "Melancholy," Dürer draws from the four clinical humors: blood, phlegm, yellow bile, and black bile. As described by Hippocrates of Kos in his Nature of Man, deficiency or excess of one of the four elements causes imbalance to the human body. Thus, the psychic state of melancholy is characterized by pathological alteration of humor manifested in intellectual stillness. In his Monsters of Architecture: Anthropomorphism in Architectural Theory (1991), Marco Frascari seeks “the melancholic reader” as the one who “uses bodily and corporal tropes as key images of the essence of architecture. Just as we think architecture with our bodies, we think our bodies through architecture.”
In Frascari’s terms, the bodily figure persistently manifests itself to the scale of making, as a genealogical tracing of the impression in techne. So, impression is an ancient soul-carrying figure which travels in time through means of poiesis. Architecture then becomes the vessel – carrier of the mythical, godly, or ideal bodily figures. The necessity of the melancholic condition makes possible the realization of the close relationship between the intelligible and the sensible mirrored in architectural form.
The Frascari Symposium VII seeks paper proposals and creative works that focus on the three key elements of melancholy in the architectural imagination: flesh, shadow, and geometry.
SYMPOSIUM PROGRAM
EXHIBITION OPENING + RECEPTION
04:00 PM Registration
05:00 PM Opening Remarks
James Eckler, Dean of Reap College of Creative and Professional Studies, Marywood University.
PAPER PRESENTATION
09:00 AM Registration
09:45 AM Opening Remarks
Jodi La Coe, Director of the School of Architecture, Marywood University.
10:00 AM Session One | FLESH | Marcia Feuerstein, moderator
Berrin Terim | Fleshing Out: Materializing the Virtual in DSR's Early Building Practice
Katarina Andjelkovic | Instrumentalization of Domestic Space in a Psychological Dimension of the Threshold Between Life and Death (Zoom)
Andrew Gipe-Lazarou | “Venerable Flesh” and the Cosmopolitan “Corpse-City”: A Lovecraftian Dialectic
Gaia Piccarolo | Mutant Bodies of Architecture. “The Domestic Project” exhibition at Milan Triennale (1986) (Zoom)
Discussion
01:00 PM Session Two | GEOMETRY | Liyang Ding, moderator
Golnar Ahmadi | Architectural Melancholia: The Klafter Scale and Geometric Harmony in Semper’s Dresden Opera House
Caren Yglesias | Drawing on Walls: The Melancholic Medieval Masons of Rosslyn Chapel
Michael Ytterberg | Model as Paradigm
Elizabeth Andrzejewski | Gantry-Based Automated Building Assembly: Replicating the LOMs Kinematic Simulations
Discussion
03:00 PM Session Three | SHADOW | Jodi La Coe, moderator
Arian Korkuti | The Body of the Shadow of Happiness: Scarpa's Tomb at Brion
Christine Kelley | Shade Shadow & The Chiasmus of Le Corbusier
Alexander Bala | Birth of a Hermeneutic Phantom: The Transition of the Anima to the Vita Activa in John Hejduk’s House of the Mother of the Suicide
Jim Sullivan | Unspoken but Voiced Nonetheless
Discussion
05:00 PM KEYNOTE | introduced by Jim Sullivan
Postures of Architects’ Melancholic Genius
Paul Emmons, Patrick and Nancy Lathrop Professor of Architecture, Washington-Alexandria Architecture Center, Virginia Tech
PAPER PRESENTATION
09:00 AM Registration
10:00 AM Session Four | FLESH | Berrin Terim, moderator
Marcia Feuerstein | Blank Embodiment: Melancholic Embodiment
Isabel Potworowski | Between Bodies and Buildings: Representation Embodied Thinking in the Pedagogy of Peter Zumthor
Claudio Sgarbi & Talia Trainin | Head on Hand (Zoom)
Vincent Qiu | The Diagram of Inner Lights: the Interweaving of Flesh with Landscape (Zoom)
Discussion
01:00 PM Session Five | GEOMETRY | Don Kunze, moderator
Iraj Esmailpour Ghoochani | The Architect’s Path to Freedom (Zoom)
Tracey Eve Winton | Melancholia and Architecture from Two Perspectives: Albrecht Dürer’s Reflections on Creative Genius in the Hypnerotomachia
Don Kunze | The Anagram and the Threshold
Discussion
03:00 PM Session Six | SHADOW | Arian Korkuti, moderator
Federica Goffi | The Punctum of Melancholia: A Preamble to the Rest of Time at the Brion Vega Cemetery (Zoom)
Negar Goljan | Crafting Shadow: Étienne-Louis Boullée's Poetics of Melancholy
Linda Heinrich | Melancholic Museum
Miguel A. Calvo Salve | The Walls of Shadows: Marcel Breuer’s Faceted-Molded Facades at Yale and Bronx
Discussion
05:00 PM KEYNOTE | introduced by Liyang Ding
The Imperative of Biogenic Material Sections
David J. Lewis, Principal of LTL Architects (Lewis.Tsurumaki.Lewis) and Professor of Architecture at Parsons School of Constructed Environments
Thursday, March 27, 2025
Friday, March 28, 2025
Saturday, March 29, 2025
Pool Panel Galleries
Center for Architectural Studies
Marywood University
Pool Panel Galleries
Center for Architectural Studies
Marywood University
Pool Panel Galleries
Center for Architectural Studies
Marywood University
Bleachers
Center for Architectural Studies
Marywood University
Friday, March 28, 2025
Saturday, March 29, 2025
Bleachers
Center for Architectural Studies
Marywood University
* All times are listed in EST
KEYNOTE SPEAKER
KEYNOTE SPEAKER


Paul Emmons is a registered architect and the Patrick and Nancy Lathrop Professor of Architecture based at the Washington-Alexandria Architecture Center where he coordinates the PhD program in Architecture and Design Research and is also Associate Dean of Graduate Studies for the College of Architecture, Arts and Design. His research on the history and theory of practices in architecture focuses on drawing and representation issues and has been presented at conferences around the world and is widely published.
David J. Lewis is a principal of LTL Architects (Lewis.Tsurumaki.Lewis) and Professor of Architecture at Parsons School of Constructed Environments. Through his research, teaching, and practice, David pursues fundamental transformations in the discipline of architecture brought about by regenerative material systems to address climate change. At Parsons he has served as the Dean of the School and on the faculty since 2002. He leads courses on design in the age of embodied carbon and is committed to reframing pedagogy around climate justice.
Marking their second quarter century of practice, the Principals of LTL Architects—Paul Lewis, Marc Tsurumaki, and David J. Lewis—have refocused the practice to embrace and expand carbon sequestering materials through the seduction of architectural representation and work. This redefinition of the firm coincided with the release of Manual of Biogenic House Sections (ORO Editions, 2022), which articulates how plant-based and low-carbon materials can produce a profound rethinking of section in houses. The book is a follow up to Manual of Section (Princeton Architectural Press, 2016) which has now been printed in 7 languages.
Since founding in 1997, LTL Architects has been recognized for combining design innovation with unconventional pragmatism, including selection as the 2019 Firm of the Year Award from the AIA NY State, and induction into the Interior Design Hall of Fame. LTL Architects is the recipient of 14 AIA awards, and 6 Interior Design Best of Year awards, and their work is in the permanent collections of the MoMA and SFMoMA. They are authors of the monographs, Intensities (Princeton Architectural Press, 2013), Opportunistic Architecture (Princeton Architectural Press, 2008) and Situation Normal....Pamphlet Architecture #21 (Princeton Architectural Press, 1998), and the 2020 online publication, Manual of Physical Distancing (Issuu).
David has previously taught at Cornell University, University of Pennsylvania, University of Limerick, and Ohio State University; and holds the honorary position of Adjunct Professor of Architecture at the University of Limerick, Ireland. David received a Bachelor of Arts in Political Science from Carleton College, a Master of Arts in the History of Architecture & Urbanism from Cornell University, and a Master of Architecture from Princeton University.
We are pleased to present an exhibition featuring original architectural drawings and works related to the conference theme, provided by architects and scholars, in conjunction with selected drawings by Marco Frascari.


We are pleased to present an exhibition featuring another "embodiment of architecture" -- materials that radically reduce embodied carbon in architecture, presented in the form of unconventional building assemblies. The exhibition was curated and designed by LTL Architects and set up by Marywood faculty and students.
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Hilton Scranton & Conference Center is pleased to offer discounts for Frascari Symposium VII participants. Please click here and use the Group Code: FRASYM to make reservations (Discount will end on 2/27/2025).